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Sunday, August 3, 2003

Preemptive strike.

Frank Rich writes about Mel Gibson's made-for-p.r. Passion controversy (reg req'd):

His game from the start has been to foment the old-as-Hollywood canard that the "entertainment elite" (which just happens to be Jewish) is gunning for his Christian movie. But based on what? According to databank searches, not a single person, Jewish or otherwise, had criticized "The Passion" when Mr. Gibson went on Bill O'Reilly's show on Jan. 14 to defend himself against "any Jewish people" who might attack the film. Nor had anyone yet publicly criticized "The Passion" or Mr. Gibson by March 7, when The Wall Street Journal ran the interview in which the star again defended himself against Jewish critics who didn't yet exist. (Even now, no one has called for censorship of the film — only for the right to see it and, if necessary, debate its content.)

Whether the movie holds Jews of two millenniums ago accountable for killing Christ or not, the star's pre-emptive strategy is to portray contemporary Jews as crucifying Mel Gibson.

("Mel Gibson's Martyrdom Complex," Frank Rich, New York Times 8.3.03)

Copyright © 2003 by Philocrites | Posted 3 August 2003 at 9:59 AM

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